LLOYD BARNES is certainly one of the most briliant personas
in Dub and Reggae history
- and one of the most forgotten. In
the numerous publications on Jamaican music he is
seldom
mentioned, maybe due to the fact that he didn't operate from
Jamaica but from
the Bronx, New York / USA. Only recently
many
great
records from the immense WACKIEs
catalogue are re-released
- here in Germany by the HARDWAX crew -
and became
available
again. To me Wackies music and sound was the key
listening
experience that
got me interested in Reggae and Dub
at first and many of their records remain among
my
favourite
releases of all time.
After hanging around at Duke Reid's 'Treasure Isle'-label a
lot Lloyd Barnes started
as a background singer in some of
the
releases there. In 1967 he left Jamaica and
came via
England to New York, where he soon grouped up with
other
Jamaican
emmigrants. He and some friends rode the
transit
trains of New York with an own
soundsystem and played
a lot
of dances.
But the overall situation was quite violent
at
that time, gangs were around and after picking some
bullets
out of a speaker after
a party he decided to give up
the
soundsystem bussiness. But the name 'BULLWACKIE',
Lloyd's
name in the gang, stuck.
In 1973 the basement studio in the Bronx was built, a studio
band called the
Wreckless Breed was formed (later a band
named 'ITOPIA', part of the well-known
CONGOS who stuck in
America, followed), and the first 7"-releases on several
labels
came out in 1974 (Johnny Osbourne or Munchie And The
Corner Crew among them).
Another important step was the
opening of the
'WACKIES HOUSE OF MUSIC' record shop at
White
Plains Road in
1977.
Like Lee Perry's Upsetters Record Shop
this shop was
far
more than just an outlet to sell music, it
worked as a
constant meeting point for
Jamaican artists
living in New
York or just passing by. Via this shop the
contact
with lots
of talented people was established and the
upcoming output of
many
brilliant records made possible.
1977 is the year WACKIEs really started out. With Dub-LPs
like 'CREATION DUB',
'AFRICAN ROOTS ACT. 1' (as Bullwackie's
Allstars) or 'TRIBESMAN ASSAULT' by Roots
Underground the
typical Wackies sound finally took on it's unique shape and
deepness.
The Dub produced by Lloyd Barnes is actually the purest form
of Dub imaginable, all
the important elements sound perfect
and are used to perfection. The riddims are
extremely
hypnotic and
tearing, the echos and reverbs create wide space
and
soundscapes, the dramaturgy always holds the tension high
throughout the tracks and
is full of surprises - and the drum
and bass sound is in a league of
its own.
A
special drum
booth with aluminium foil in the inside to reflect the sound
better was
constructed and special paddings were used. The
bass is
not EQed and often sent
through delays - highly
unusual for a
bass. Barnes was also one of the first guys to
use a sampler (due to good connections in Japan he had one
available quite early),
and also a MOOG synthesizer can be
heard often.
The sound itself is 100% analogue and
organic,
the dubs
seem to live on their own thus accomplishing one of
the main goals
dub set to music.
In the early 80ies WACKIEs reached it's prime time. Many
artists were drawn to the
Bronx for recording then, the sound
of the
already released records promising them to
reach a new
level of production, and many of them recorded their alltime
best records
then. Here timeless classics like HORACE ANDYs
'DANCEHALL STYLE', WAYNE JARRETs
'BUBBLE UP', the LOVE JOYS'
'LOVERS ROCK' or the 'JAMAICA SUPER DUB SESSIONS' were
created. The number of outputs was immense (see the Wackies
Discography for an
overview) and the quality mostly
absolutely great so it's hard to understand how such
incredible music alomst remained unknown to many people after
its release and I thank
God for bringing me these records
now as re-releases and getting me into Dub.
Though the Wackies sound somehow couldn't keep up its high
quality after the Digital
Revolution (being the manifestation
of analogue production itself) the unnumberable
LPs and
12-inches from their best period remain a treasure that
slowly will be
unlocked in the next time via the
re-pressings and much nice music - though actually
20 years
old - is still waiting for perception, still sounding fresh
and still having
all the power it had then.
RECORDS:
Many, many, many! For a summary of available records check www.wackies.de!
Additional to the above mentioned
classics are these highly recommended: LOVE JOYS
'Reggae
Vibes' (LP) and 'Gimme Back' (12"), JUNIOR DELAHAYs classic
'Working Hard For
The Rent Man' (12", don't miss this one!)
and his LP titled 'Reggae', the selftitled
'RECKLESS ROOTS
ROCKERS' Dub-LP, the great DJ-style (!) releases 'Poor House
Rockers'
by CLIVE FIELD MARSHALL and JAH BATTAs 'Argument',
PRINCE DOUGLAS 'Dub Roots'-LP and
SUGAR MINOTTs best-ever
'Wicked A Go Feel It'.
Also a MUST HAVE are all BURIAL MIX-releases on the RHYTHM &
SOUND label from Berlin,
with many Wackies artists like
The Love Joys, Jah Batta and Lloyd Barnes himself
singing
over the timeless soundscape-riddims R&S is famous for. To me
the one and
only electronic reggae of today, that will have a
place in my heart forever! And that
is not exaggerated! Check
it out for yourself.