About / Contact

 
 

previously in REGGAE:

  • Other Riddim Twins
  • The Story Of Dread and Fred
  • The History of Reggae Music

 

 

 

 

THE DREAD & FRED STORY________________________________by Pete Murder Tone

At the age of 16/17 in Bedford, UK, Dread linked up with his brother Fred and started to lay down
bassline tracks with a simple Boss drum machine, playing percussion and bongos on top, with a
borrowed Yamaha DX7 to compliment the hard core dub.

In 1988 they got four dubplates of their unique material pressed and took them to Jah Shaka.
Shaka played the dub plates for around a month and then called up and told them to come to his
next sound system session down in Cheggars Hall / London. He always played his best or most
exclusive song last - this night he played 'Warrior Dub' - now known as 'WARRIOR STANCE' and
it took the roof off the building... Shaka that night requested that the dub plate should be released
on his own label.

Recommended stories:

  • The History Of Reggae Music
  • The 8_BIT Heritage
  • The Games Odyssey

 

 

 

PLAY

“Warrior Stance” sold well and was tremendously influential on the
new wave of UK dub, as Dougie Wardrop (Centry, Bush Chemists,
Conscious Sounds and tens of other aliases) recalled in an interview
with Guidelight Movement:

"Basically I got started on a small 4-track, cassette machine which I had
in my friends house, [...] we started from nothing really. Just going to
(Jah) Shaka, Manasseh. Listening to tunes and hearing tunes like Dread
and Fred. Tunes like "Warriors Stance". Until then there were no real
steppers, digital steppers really. "Warrior Stance" to me was the one
that stood out and made me wanna say whoa! That was the tune. I'd
like to make music like that, you know. "

Other fine Blogs:

  • PlayTheRecords
  • Vitriolix
  • MusicThing
  • From Asbo to Hasbo
  • RiddimMethod
  • Kid Kameleon Blog
  • DJ Ripley Blog

In an interview with Jah Warrior Russ D (The Disciples) also cited its impact :

"Originally we only used a drum machine the rest was all live playing, the thing that changed it all was seeing Shaka
working in a studio in Brixton, it had a small programming room with about 6/7 Yamaha DX7's linked up to a
sequencer and a couple of small Seck mixers, he was working with this guy he called Andy Mozart, and the rhythms
that they were building sounded crisp and different more machine like. Also at the time Dread and Fred came on
the scene with 'Warrior Stance' and I will always cite that record as an influence... I went home and started
programming my drum machine (HR16) differently from then, away from sounding live and more into the machine
mode."

 

 

YAMAHA DX-7

The Warrior Stance 12" release had so much success that Shaka
decided to release an album, 'IRONWORKS' (named after their now
eight track studio in Bedford), another success. Dread & Fred sadly
split up in 1998 after producing several more records for Shaka,
Blackamix and their own label. Dread has continued to build roots
tunes as Dread Connexion since then.

PS: the Warrior Stance 12” and Dread & Fred LPs have been
repressed by Jah Shaka and are thankfully available again.

 

Hear Pete's excellent 'WARRIOR's DANCE'-mixtape full with raw early UK digital roots and dub
from the same era HERE!

(some text adapted from Dread Connexion www.peoplesound.com bio)